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Alan Clarke (28 October 1935 – 24 July 1990) was an English television and film director, producer and writer. ==Life and career== Clarke was born in Wallasey, Cheshire, England. Most of Clarke's output was for television rather than cinema, including work for the famous play strands ''The Wednesday Play'' and ''Play for Today''. His subject matter tended towards social realism, with deprived or oppressed communities as a frequent setting. As Dave Rolinson's book (see 'Further reading', below) on Clarke details, between 1962 and 1966 Clarke directed several plays at The Questors Theatre in Ealing, London. Between 1967 and 1969 he directed various ITV productions including plays by Alun Owen (''Shelter'', ''George's Room'', ''Stella'', ''Thief'', ''Gareth''), Edna O'Brien (''Which of These Two Ladies Is He Married To?'' and ''Nothing's Ever Over'') and Roy Minton (''The Gentleman Caller'', ''Goodnight Albert'', ''Stand By Your Screen''). He also worked on the series ''The Informer'', ''The Gold Robbers'' and ''A Man of Our Times'' (but not, as ''Sight and Sound'' once claimed, ''Big Breadwinner Hog''). Clarke continued to work for ITV through the 1970s but now made much of his work for the BBC. This included pieces for ''The Wednesday Play'' (''Sovereign's Company'' 1970), ''Play for Today'' and ''Play of the Month'' (''The Love-Girl and the Innocent'', 1973 and ''Danton's Death'', 1978). Distinctive work for these strands included further plays by Minton including ''Funny Farm'' (1975) and ''Scum'' (further details below), but also ''Sovereign's Company'' (1970) by Don Shaw, ''The Hallelujah Handshake'' (1970) by Colin Welland and ''Penda's Fen'' (1974) by David Rudkin. He also made ''To Encourage the Others'' (1972), a powerful drama documentary about the Derek Bentley case, the case which was later dramatised in the 1991 film '' Let Him Have It '' by Peter Medak, and several documentaries, including ''Vodka Cola'' (1981) on multinational corporations. A number of his works achieved notoriety and widespread criticism from the conservative end of the political spectrum, including ''Scum'' (1977), dealing with the subject of borstals (youth prisons), which was banned by the BBC, and subsequently remade by Clarke as a feature film in 1979 (the original television version was eventually screened after his death). His 1982 television play ''Made in Britain,'' starring Tim Roth (in his television debut) as a racist skinhead and his negative relationship with authorities and racial minorities, was based on a screenplay by David Leland. He directed the feature film ''Rita, Sue and Bob Too'' written by the working class writer Andrea Dunbar and released in 1987. Clarke's work in the 1980s is fiercely stark and political, including the David Leland plays ''Beloved Enemy'' (1981) on multinational corporations and ''Psy-Warriors'' (1981) on military interrogation. But he also directed David Bowie in ''Baal'' (1982) for the BBC, part of Clarke's interest in Bertolt Brecht. His film work became more sparse, culminating in ''Contact'' (1985) on the British military presence in Northern Ireland, ''Billy the Kid and the Green Baize Vampire'' (1985), ''Road'' (1987) and his short film (lasting only 40 minutes) ''Elephant'' (1989) which dealt with 'the troubles' in Northern Ireland and featured a series of shootings with no narrative and hardly any dialogue; all were based on accounts of actual sectarian killings that had taken place in Belfast. The film took its title from Bernard MacLaverty's description of the troubles as "the elephant in our living room" – a reference to the collective denial of the underlying social problems of Northern Ireland. His final production, ''The Firm'' (1989), covered football hooliganism through the lead character played by Gary Oldman, but also the politics of Thatcher's Britain. In 1991 a documentary on him '' Director Alan Clarke '' by Corin Campbell-Hill aired on British TV. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Alan Clarke」の詳細全文を読む スポンサード リンク
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